This is a tremendous and timely play. Though some may see it as a response to current events regarding the police, I think that would be missing the point. It is not only more complicated than that about the police, it is much more nuanced play in general. There are elements on the surface and those underneath. Rent control, the (mis)use of the ‘n’ word (I don’t want to spoil anything here), the power of belief, race and racism, etc.. And there’s a multi-layered issue about Jewish stereotypes that angered and entangled me. There are also classical elements here – fathers and their children. It comes as no surprise to me that it won the Pulitzer. But when I saw it at Steppenwolf Theatre in Chicago (check out this pretty cool preview), the last two scenes drove me crazy. Again, I don’t want to spoil anything, but I don’t know how you direct these two scenes without revealing a key stage direction. But maybe Guirgis doesn’t want it revealed? At Steppenwolf, the ending came off as kind of dream-like. Is that the goal? If so, then the previous scene seems not to work. We’ll see what happens Cleveland Playhouse’s upcoming production.