It takes just a look at her stage directions to be reminded that Parks is one of our most original writers working today. She is experimenting – in both small and large ways – with the form of plays. Note the musical selections she includes at the back of the script.
This nod to the Odyssey, both in style (note the use of the chorus) and form (journey), is layered and thought-provoking. I also admire its deceptive simplicity. Not much is needed here in terms of staging and props, though the elements that are required are essential. Parks raises questions without belaboring them and leaves the reader / audience to infer parallels and connections. I am looking forward to seeing it.