This novel-in-verse may have its origin in Grossman’s own life experience. Grossman’s youngest son died in the 2006 Israeli-Lebanon conflict. And this novel centers around parents who have lost a child and their attempt to “learn to separate memory from the pain” (175) by using words. As in To the End of the Land, these parents walk, sometimes in circles and sometimes with an idea of destination. It makes sense that the feelings can’t be contained. Until they can. Powerful, sad, and necessary. I wish I could see the play version.