I read the first two of Penny’s mysteries in order, but then skipped ahead because I found a used copy of this one. I regret it a little because I think there’s one prior to this that informs a subplot here. Does anyone know? But this one was a step up from the previous two which I thought were quite good. Penny, perhaps because she’s grown confident because of the success of her earlier books, delves into Canadian history and politics here. They are essential to the plot (in ways that made me wish I understood them better) and make the story take on an impressive level of depth in the way Mankell did in his Wallender series.
Really good stuff. I have one more used one to read, but perhaps I should go back to reading them in order.
I’ve always liked stories – fiction and non-fiction – about art-related mysteries. I’m not sure there’s enough of them to call it a genre. So when I heard about Pears, I decided to give one a try. It was fine, entertaining at times. The plot was incredibly slow until everything got explained with a lengthy exposition at the end – deus ex machina supreme. I think I picked his first one, so maybe they get better. I’ll let you tell me.
Although it has some predictable elements – the lovable rogue cop, the clueless (almost unbelievably so) rookie, the unnecessary and unrealistically violent ending – this is an outstanding first Chief Gamache mystery. It took me some time, but I think I figured out what makes it so different and so good. It’s the minor characters. Instead of just focusing on the cop and his (of course, his) team as well as the antagonist, Penny develops a wide range of supporting characters. It is impressive that she took the time to do so because I don’t think she can return to them for the next installment, can she? I will miss them.
Penny creates one of the most memorable images I’ve ever encountered. I don’t want to spoil anything, but it will stay with me in the same way as the image Myla Goldberg creates in the storage area in Bee Season.
The title is perfect. The characters – almost all of them – are incredibly human. A Fatal Grace will be next.
Every once in a while, I need a mystery. After spending a great deal of time with Scandanavian ones, I’ve decided to try a few American ones. Mosley is a master. Unlike in his later works, the social commentary is more subtle here. It’s about Easy Rawlins and the life he’s trying to make for himself. I’m always terrible at mysteries because I can’t track who did what to whom, so I often just go along for the ride. And this is a good one.