Kairos (Erpenbeck, trans. by Hoffman)

If I tell you that this book is, in part, about a relationship between a 51-year-old married man and a 19-year-old woman, you would be forgiven, I think, for assuming that the book was written by a man. In this case, you would be wrong as this International Booker Prize winner (https://thebookerprizes.com/the-booker-library/features/what-everyone-is-saying-about-kairos-winning-the-international-booker#:~:text=Kairos%20is%20the%20winner%20of,from%20German%20by%20Michael%20Hofmann.) was written by a woman, Jenny Erpenbeck. As the relationship between the dominating Hans and the (words fail me here) young woman, Katharina evolves, the question lingered in my mind. What response would this book have gotten if it had been written by a man? Katharina is not completely passive and does show some assertiveness and growth near the end, but the novel, on the level of this personal relationship, was troubling.

On the political level – the plot covers the time when the Berlin Wall came down – background knowledge is useful. Still, one can see the contrasts between East and West and the way the West, well, dominated the East when the Wall fell (and not always to good effect).

The Epilogue was, for me, a complete throwaway – an unnecessary ‘surprise’ ending that didn’t really add anything.

Time Shelter (Gospodinov, trans. by Rodel)

The idea, at first, holds promise. Develop a time shelter for those whose memories are lost in time. Why not let those struggling with their memory live out their remaining days in the time that they remember best? But Gaustine, a rather ambiguous figure, has grander ideas. Why not let countries do the same? Why not hold referendums and allow countries to select the decade for their, well, time shelter? Though it may sound reminiscent of a certain red hatted campaign, the focus of this story is Europe. The EU sets limits, of course, since the countries will still have to work together. Interest groups form. Lobbying begins and sometimes turns violent. What is this nostalgia for an elusive era? What is time? What are we trying to escape? Can we edit the past and return to an era without considering a negative part of it? What happens if a country wants to return to its wartime standing? And who is this Gaustine?

A wonderful, provocative book. I haven’t read the other finalists, but I am glad this won the 2023 International Booker Prize. Otherwise, I might’ve missed it.